Closer to Closure
Back in March of 2013 I posted in the “sewing projects” portion of my blog this entry:
The original work of Grandma Laura
My Grandmother: Laura Wendlandt
“Here I am working with my Grandmother Laura Wendlandt’s (my father’s mother) handiwork from the mid 1960’s. This work of butterflies was done on grandma’s treadle sewing machine. The stitches are so small and tight. In today’s world and with today’s sewing machines when we are finished with a seam we do a back stitch to secure the tread from unraveling. In the blocks of pink butterflies the black thread is hand knotted on the back side to prevent them from becoming undone. All of the pink fabrics have been turned under so no raw material can show. I cannot imagine the hours her arthritic fingers spent securing the fabric and then sewing around each pattern. I have not quite decided how to work with it, but I do know that all of her handiwork will not be in vain. Sometime in the future there will be an update of a portion of these blocks. Just don’t hold your breath.”
Colors Were Chosen
Now as the fall of 2013 is right here at my doorstep I can let you know the breath no longer needs to be held and mostly it was my own. I left the butterflies lie on my work table and every day since March determined that they would not go back into the cedar chest. When I went downstairs they would beckon me as if to ask me to please make them useful. I thought about every color I could think of and decided on nothing. What to do with so much pink? Not knowing where the finished quilt would end up I wanted to keep as many options open as possible. I felt the butterflies should be surrounded by as much color as they would be if they were flying free. The first task was to totally cut all of Grandma’s blocks apart. Initially I thought it was a total of 82 but as I cut and stacked, lo and behold I had 99. I did have to cut them apart as the stitches were too tiny, and too many for my arthritic fingers to undo all that had been sewn.
Colors to Surround the Butterflies
I did have one night when sleep would not come as I ruminated. I wanted to lay this 50 plus year project to bed, making sure to give Grandma Laura’s work the accolades it deserved. For several days I pulled fabric out of my stashes and laid them next to the blocks to see what tripped my trigger. Putting down four different prints and picking up three of them as it just didn’t seem to be the right fit. It was harder than I had ever envisioned. Once the work table was full of chosen selected fabric I promised myself “no more second guesses.” From that point on it was cutting the fabric and setting nine blocks aside to make a larger block from the nine blocks.
The Prepared Quilt Top
August 23rd, 2013: It was time for a photo shoot on the north wall of the garage. There was just no way of getting around it. I needed proof via a photo that we were gaining on Grandma Laura’s butterflies. I have an appointment at the Old Alley Quilt Shop in Sherburn, Minnesota, to have the top joined to batting and backing and quilted with Sharon’s long arm sewing machine. Hand stitching/quilting a king sized project is just not in my capabilities. The sad news is that Sharon is booked up until December. That will work as I have waited all these years to put some closure on this project, so a few more months can’t hurt. I just can’t express how happy and relieved I feel that Grandma’s Butterflies have been released from storage and will fly for many years giving someone comfort as they snuggle under them. The king sized quilt used 81 of the 99 blocks. The remaining 18 blocks have been used in two smaller wall hangings with which to surprise someone when they least expect it to have a reminder of this grand lady.
As I had posted on August 25th, I desperately needed to give the sewing room a clean up. Thread, scraps, lint and a couple of forgotten empty coffee cups needed to have some TLC. It looks so nice and clean down there I need to just step back and enjoy the view before the next project, aka: mayhem, takes over.